AIZEN
|
Alto |
(.081") - Aizen "7" Synthetic HR
substitute probably the best copy of the famous New York USA
Meyer mouthpiece. A fantastic player. Practically new. Has only been
playtested. I still prefer my MC Gregory. - Bargain: 180 € (= 215 USD) They cost 325 USD
from the Japanese producer. |
BAMBER
|
Tenor |
(.090") -
Bamber Jazz model 6 with ligature. Old model. Possibly opened. Very dark fat
sound, egal from top to bottom. -
30
€ |
BARI |
Soprano | None available |
| Alto | (.085") - New Dkota "6" -
30
€ (.079") - Bari "77" Has belonged to Lee Konitz who gave it to Jens Søndergaard in 1989 (See Bill Street below) - 135 € |
|
| Charles BAY Charles Bay mouthpieces are some of the most unknown and underrated mouthpieces produced today. Almost impossible to find. Charles Bay bought MC Gregory's equipment from Gregory's daughter, Gale. Charles Bay and his son still hand-finish and play-test their mouthpieces, which are among the very best contemporary mouthpieces and the only ones which compare with the vintage MC Gregory alto pieces. |
Alto |
(.075") - Charles Bay "5E"s/n 04/472 Adams Thorn. May be plastic, may be hard rubber. Material looks same as the new Charles Bay below which is claimed to be hard rubber. This one has a more egal sound over the saxophone but has still a strong and forceful sound - 125 € |
| Tenor |
(None
available) |
|
BEECHLERElmer Beechler worked for Brilhart before he started his own mouthpiece business. |
Alto | (.083") - New Diamond Inlay, M6L (Plastic ?) Medium chamber,
Long lay
- 70 € |
BERG LARSEN
|
Alto | (.085") - Vintage 75/1/M (opened
to 85/3/M) -Bullet chamber. Good for lead-alto - 130 € (.090") - 95/2/SMS Original ligature with knurled knobs. Well playing. Bright in the upper register - 135 € (.090") - 95/2/M Plays well with the typical macho Berg-sound. - 95 € (.095") - Vintage 100/2/SMS (offset) -Bullet chamber. Original lig, cap and black box with red label and black letters -140 € |
| Tenor | (.080") - Stainless Steel Vintage Duck
Bill 90/2/M
(offset). Bullet Chamber with denim milling marks on table.
Orig. Lig w. Square screw heads. Shank very tight on neck. Good. Easy
playing - 160 € (.090") - Vintage 95/1/SMS - Don't know exact how "vintage" - 80 € (.085") - 90/2/SMS - Older model with bullet chamber - 80 € (.100") - Gold plated bronze. Duck Bill 100/0/SMS (offset). Very rare model. Bullet chamber with unusually long bullet. Long shank. Denim milling marks on table. Orig. cap and ligature with square screw heads. This plays like a good Florida Link. Bright when pushed. Powerful in the low register. Think Plas Johnson. - 300 € (.109") - Stainless Steel 110/1/SMS - Older duckbill with bullet chamber. Baffle has been filed on. Very penetrating sound. Good for electric guitars. Original brass ligature (square screw heads) and aluminium cap. - 160 € (.080") - 100/2/SMS - Older model alledgedly refaced by John Reilly but not signed. Good player with husky sound with some edge. - 100 € |
|
BILL STREET
Bill Street is a saxophonist from University
of Southern Maine who occasionally makes mouthpieces. Theyare very
rare and play very well. Read more
here. |
Alto |
(.074") "by Bill
Street" 5+J This mouthpiece has belonged to Lee Konitz who
gave it to Jens Søndergaard, famous Danish altoist, in 1989 when
they were touring together in Denmark. I have acquired it from Jens. It
actually has that dry Konitz-sound. It has a more slender body than
average alto pieces. - 160 € (.078") "by Bill Street" After playing the 5+J, I could not resist buying this mouthpiece when it came up for sale. And I wasn't disappointed. Bill Street makes some extraordinary mouthpieces. This is a different blank. External dimensions like standard alto pieces, with a zink metal shank. Larger chamber. - 125 € |
BRILHARTBrilhart mouthpieces are, in my opinion, overlooked and undervalued, and are therefore one of the best buys for the time being, and this goes both for alto and tenor. (I have no experience with his baritone pieces, and unfortunately, he never made a soprano piece)Tonalin and Ebolin are made of plastic. Many great players used Brilhart Tonalin or Ebolin, Charlie Parker, Johnny Hodges, Gene Ammons, Stan Getz, to name a few, and not the least, Lester Young. Maceo Parker still uses an Ebolin. In general, the older pieces are regarded as better, but I have several newer pieces which both play and sound magnificent. (e.g. the tenor Ebolin 3, .071" No serial)Tonalin pieces are ivory white with a black bite plate and have a softer sound than Ebolins. They are very easy to play. One sax player remarked to me: "It plays all by itself". They are well suited for small group work, while the Ebolins, which are black with a white bite plate, are good for louder music, including big band. Brilhart Hard Rubber pieces are regarded as the only serious competition for Otto Link "Slant Signature" pieces when we talk tenor sax. Zoot Sims played one. For alto, they hold a similar position vis-a-vis the old Meyer New York pieces. The HR Personaline for alto is, in my opinion, the best of them all. Eric Dolphy played such a piece. Read more about mouthpiece genius Arnold Brilhart at Theo Wanne's site. Streamline: Star mouthpiece trader on ebay, listentomusic, has made the following interesting comment to the Streamline model: "It has a big physical presence to the sound. It does not blow like the typical modern "free blowing" piece. There is definitely a threshold you have to push beyond to get this going but once you do its all there. So it will work for physical type boppers who bear down into what they are doing……….. What it reminds me of most in that sense are the pre STM metal links especially the 4 Star and Master Models. Like those you have to work with this piece to bring it alive. " Opening numbers. A star after the tip opening number means that the lay is shorter. This means that the piece will feel more open. A number without a star will often be easier to blow the lowest notes on. See also RICO ROYAL below |
Alto | (.065") - Vintage
Tonalin #2, Plastic -
Serial
#114,998 Almost like new - 110
€ (.068") - Vintage Tonalite #3* Great Neck, Plastic - Serial #7370. This is the model made of clear plastic. Small crack in shank. Not for sale yet. (.060") - Ebolin #3*, Plastic Modern model without serial number. Like new - 35 € Brilhart plastic mouthpiece box black bottom, clear top, marked 85825 3 in good shape with intact rubber band. - 60 € |
| Tenor | (.082") - Vintage Ebolin #2*, Plastic Serial
#133,105, Carlsbad period, original box. - 90 € (.080") - Vintage Ebolin #4 Great Neck, Plastic Original opening. Serial number 82,816 - 280 € (.096") - Vintage Ebolin #4, Plastic Original opening but facing perfected by Kay Siebold. Serial number 92,790 - 160 € (.086) - Vintage Ebolin #5 Great Neck, Plastic Serial #51,816, Opening stamped on table. An exceptional player. A friend in the Netherlands has tried it and describes it this way: Has a big, bold and spread sound with a nice velvety, cello-like edge around the sound. With a hard reed it is rather Link'ish, but not the Lester Young-sound. - 290 € (.088) - Vintage Ebolin #5, Plastic Serial #92,804, small defect in tip rail - 100 € (.090") - Vintage Ebolin #5, Plastic Serial# 173,675 - 100 € (.071") - Ebolin #3, Plastic No serial. Strong and bold Link'ish sound. Very faint crack in shaft. Get it banded and you have a super alternative to a good HR Link - 100 € (.074") - Ebolin 4*, Plastic No serial. Feels larger than .074" - 65 € (.074") - Modern Ebolin #5, Plastic. No serial number - 80 € (.087") - Vintage Ebolin #6 (or 6*), Plastic Serial 36,410 Made in England. Factory banded shank Original box. - 130 € (.076") - Vintage Tonalin #2*, Plastic Serial 36,452 Made in England. Factory banded shank - 130 € (.075") - Vintage Tonalin #3, Plastic Serial# 81,865 Like new. Velvet-soft, quiet tone. Very easy to blow - 160 € (.080") - Vintage Tonalin #3*, Plastic Serial# 211,714 More edge and power than s/n 81865 - 135 € (.090") - Vintage Tonalin #4, Plastic - Serial #89,958 With original cap. Crack repaired and banded by Kay Siebold - 185 € Reserved (.080") - Tonalin #6*, Plastic - No Serial - 100 € (.090) - Vintage Tonalite #3*, Plastic Serial #50,294, Opening stamped on top. This is the model made of clear plastic. Wonderfully sweet sound. Not for sale right now. (.090") - Plastic Level Air #7*, Plastic - These are very rare. Even more penetrating than the metal models. (Guitarists beware !) - 80 € (.077") - Hard Rubber Personaline S4 I had Ed Pillinger lengthen the lay to 27 mm without changing the tip opening. - 240 € (.080") - Hard Rubber Personaline L5 It may have been modified in the baffle, but the person I bought it from does not think so. It plays more macho than the S4. -240 € (.105") - Hard Rubber Personaline S2 Refaced by Sakshama to .105. s/n 030367, so produced 3. March 1967shortly after Selmer had acquired the Brilhart company in Carlsbad. -240 € |
|
JODY JAZZ
|
Tenor |
Jody Jazz DV 7 * Metal. This is a superb
mouthpiece, a lot of volume and penetrating sound, there is nothing to
complain about. Appearance and condition is like new. Original
ligature, cap and cloth bag is included. Read remarks from other saxophonists
Shipping from Sweden. - 3500 SEK Please contact the owner directly: aglimstrand@yahoo.se |
BUESCHER |
Soprano |
(.040") - The Buescher Elkhart Ind. (Dotted oval) Large chamber. Beautiful tone. Very narrow shaft. Might possibly be for C-soprano ? According to Theo Wanne is the Buescher the best of all large chamber soprano pieces. Comes with lig and cap. - 200 € |
| Alto |
(.080") - The Buescher Elkhart Ind. "Eb". Wonderful round tone. Very narrow shaft. - 40 € | |
| CHARLIE A. Charlie A. was an American R&B sax player who developed and sold various saxophone accessories. A few years before he died prematurely, he succeeded in developing a tenor mouthpiece exceptionally well suited for R&B and rock music. This was called "Charlie A.'s BBQ" |
Tenor |
(.098") - BBQ #9.
Great sounding blues/jazz metal mouthpiece with double baffle. Similar
construction as my Will Grizzle. After Charlie A. died, these are
becoming increasingly difficult to find. This one can compete with
electric guitars. - 120 € |
Joe CROSSMAN |
Alto | (.066") - Steel Vulcanite -British piece from before 2. World War. However, not the model with clarinet style square chamber. Metal band on shank. -65 € |
Bobby DUKOFF |
Tenor | (.091") - Silverite M7 Super Power Chamber Miami
Florida with original ligature. - 90 € |
| P. GEMEINHARDT |
Alto |
(.056")
-
"2"Metal, chrome plated. Made for slide-on ligature. - 40 € |
FRANCOIS LOUISRead about the different chambers here, and about the Francois Louis ligatures here. |
Tenor |
(.100")
Spectruoso 260 SP. The model with the original special Francois
Louis spherical chamber. - 130 € (.100") Spectruoso 260 ML. The model with the more traditional medium large chamber. One silver plated "Basic" ligature included. - 140 € |
FREDDIE GREGORY
|
Alto | (None available) |
GREG WIERGreg Wier is well known for making good copies of vintage mouthpieces using old blanks made of high quality rubber. |
Alto | (.075") - Meyer New York USA Copy 6M Good playing piece with more brightness in the upper register than a genuine NY USA Meyer. - 175 € |
Dave GUARDALA
|
Tenor |
(.115")
-
(Metal)
Laser
trimmed
Michael
Brecker
II.
Everybody agree that the laser trimmed
models/copies play just as well as the original hand-finished by
Guardala. I don't know, but the price difference is much larger than
any difference in sound. Playability: IMO, They are equal . This piece
has a penetrating sound with lots of overtones. Good for Rock and
electric guitars. - 250 € |
Jack HEYWORTH
|
Alto | (.060") - Super True Lay. "7C" Looks like a
Lelandais
stencil. Fluted body, very large chamber, metal shank - 100 € |
| KING |
Tenor |
(.087")
-
"7"on table. Penetrating sound. - 40 € (.084") - "MO" Desirable model with a good sound. Good quality rubber. - 80 € |
LAWTON
|
Tenor |
(.095") - Bronze Lawton
6* Special model Long window. Like new in original box.
- 240 € |
| LELANDAIS |
Soprano |
(None available) |
| Alto |
(.060")
-
"7" - 40 € (.070") (Lelandais?) The Duke Streamline III Narrow metal ring round shaft - 70 € |
|
| Tenor |
(.065") - Metal "Super
Jazz" IV. Silver
plated. Very heavy. Sweet sound. -
120 € |
|
Otto LINK
|
||
| Alto | (.075") - Eburnated
Bar Slant Signature (New York) 4* s/n 0127. This is
the first model hard rubber mouthpiece made by Otto Link. It has a dark
and soft sound. Not suited for lead-alto, but fine for small group work
and classical. Easy playing. - 150 € Reduced price (.088") - Tone Edge "7" Early Babbitt. Small font USA. - 175 € |
|
| Tenor | (None available) | |
| MARTIN | Alto | (.070") - No markings, narrow metal ring round shank (Like vintage Selmer) Marked Martin in oval on table. Very large chamber. - 80 € |
| MC GREGORY
and GALE Gale was Gregory's daughter. Read about these mouthpieces, their opening codes etc at Theo Wanne's site. Desmond seems to have played both the Model A and the Master model. |
Alto |
(.067")
-
MC
Gregory
Los
Angeles
4A
16
s/n 2684. This
is
made from a special
resin. The chamber has straight side walls like a Brilhart. Strong
Meyer-like sound. - 170 € (.074") - Gale Companion 4S Small chamber. Full-bodied singing sound- 160 € |
| Tenor |
(.095") - Plastic Rico Reloplex
Hollywood 6M s/n 6845 Great chance to get a
genuine Gregory at a low price. Plays very well. More "cool-jazz" sound
than the hard rubber pieces - 120 € (.090") - Gale Companion 6S Small chamber. - 160 € |
|
MELIPHONE
|
Tenor |
(.096") Meliphone Special Steel Ebonite B5 The B5 should have a tip opening of .059" and a medium facing length. Apparently has been opened. Good job, because it plays well with a very warm and fat bottom. Speaks openly in the upper register. Quiet Hawkins sound. - 95 € |
MEYER |
Soprano | (None available) |
| Alto | I have no Meyer pieces left, but take a look at Greg Wier
above. |
|
| Tenor | (.074") - Meyer Bros New York 3 M Large
Chamber with original brass ligature and cap cut out
like the Y in MeYer. File marks across at the inside tip. Full tone
with a nice edge. Good egality - 325 € (.084") - Modern Meyer 6M Medium chamber. Made in USA. To me, this is just as good as the Meyer Bros mpc. Has that special Meyer "punch" like the good alto pieces - 135 € |
|
| Ralph MORGAN Morgan mouthpieces can still be bought new here, where you also can read about Ralph Morgan. After Morgan passed away, Erik Greifenhagen from Mouthpiece Guys continues to finish the mouthpieces. The Morgan mouthpieces are still among the very best contemporary mouthpieces. |
Soprano |
(None available) |
| Alto |
(None available) |
|
| Tenor |
(None
available) |
|
| MOUTHPIECE CAFÉ Made by Brian Powell and Erik Greiffenhagen from Mouthpiece Guys (see link above) |
Alto |
(None available) |
| Tenor |
(.100")
- House Blend 7 HR Composite, Marked P This is Erik
Greiffenhagen's own
creation. It is a very easy-to-play mouthpiece and truly extraordinary
in that it can take a massive amount of air, while you can also subtone
softly.
Read more at Mouthpiece
Café. It has an edge to the sound like a good Berg
Larsen, think King Curtis. The price is 10% below what I have paid,
including duty and VAT: - 225 € |
|
"No Name"Normally, I would never put a no name up for sale at the internet, but this mouthpiece that I am selling for a friend plays so well that I do it nevertheless. |
Alto |
(.060") Vintage "No name" marked France and 3. Round medium chamber. Slight roll-over baffle. Somewhat scooped out sidewalls. Plays very well. Someone will get a superb mpc for a very good price. 4 week trial possible - 60 € |
RASCHER |
Alto | (.048") - Very
dark
sound.
The
only
modern
mouthpiece
made
according
to
Adolphe
Sax's
guidelines.
Suited
for
classical
music.
The
Rascher
mouthpieces
come
in
only
one
opening.
(.048")
Explanation
here.
-
65 € |
RICO ROYALThese mouthpieces were the last of Arnold Brilhart's constructions, and of which he was very proud. He had managed to create a mouthpiece that could be mass produced and did not require any finishing afterwards.This made it possible to sell these at a very low price. This made most people believe that they were not good. On the contrary, they are very good playing and sounding mouthpieces. The Metalites are much desired by people in the know, especially for baritone and tenor sax. Due to popular demand, Rico has recently started producing the Metalites for tenor again. |
Soprano |
(None available) |
| Tenor | (None available) | |
ROC |
Tenor | (.070") - Britone *** This is the British mouthpiece with the unusual baffle. Sounds surprisingly good and is also able to scream when pressed. White plastic with black bite plate. - 80 € |
ROUSSEAU |
Soprano |
(.055") - Classic #4 - 25 € |
ROVNER |
Alto | (.092") - Wilkerson "Traditional" Long window, like Jody Jazz Deep V. Strong player. Plastic. - 50 € |
RPC (Ron Coelho)Ron Coelho makes custom mouthpieces. The wait is very long. His pieces are characterized by being very easy to play, having a long facing and being very versatile from soft subtones to screaming powerful funk. |
Tenor |
(None available) |
Santy RUNYONSanty Runyon was a legend in American saxophone history. A great player, inventor and teacher. It is worthwhile to visit Runyon's website. |
Soprano | (None available) |
| Alto | (.080") - Custom #7 Red transparent plastic. Needs
to have
the facing perfected. Squeeks. - 25 € (.080") - Custom #7 Black plastic. The Custom model was the one used by Art Pepper in the beginning. - 80 € (.085") - Runyon Quantum #9 Fantastic metal mouthpiece. If you have good chops, you will be rewarded with a full and strong tone. Almost like a Guardala studio. Orig. lig and cap. - 100 € |
|
| Tenor | (.095") - Custom #9 Yellow transparent plastic with
removable spoiler. Very good player. - 110 € (.085") - Old model #4 on table. Black plastic, square window like clarinet. Special mini baffle. s/n 3939 - 80 € |
|
| SAXSCAPE |
Tenor |
(.096")
-
Uptown
.
098"
(now
called
Uptown
Slant)
s/n 0084 Inspired by a Florida Slant Signature Otto Link. A good
player, powerful and penetrating. Rather bright. Made of acrylic. - 160 € |
SELMER |
Soprano | (.040") - Metal Classic Opening C
This is a quiet mouthpiece, most suited for classical music. With
original ligature and (original ?) silver plated cap. - 175 € (.045") - S80 "D" Very quiet mouthpiece, well suited for classical music. With original ligature and cap. - 50 € |
| Alto | (.060") - Magnitone
M20 From the logo, this looks like it is an American Selmer
piece.
Very good hard rubber, olive coloured except where the ligature has
been. Contemporary ligature. Has a good warm sound. Plays well. - 60 € (.070") - Vintage Soloist Long Shank "Soloist C**" on table. Fantastic player with a fantastic sound - 200 € (.062") - Vintage Metal Classic "-C-" in oval (across, not lengthwise) on table. Fluted (3 on each side) body. Original cap and lig - 160 € (.053") - Very vintage metal "Table B*" on table. Selmers first metal mouthpiece. Metal version of the Air Flow mouthpiece. Made during the 30's. Silver plating heavily worn. Looks terrible, but plays very well with a hard reed and has a wonderful pan-flute-like sound, similar to the sound of the old Selmer Soloist soprano mouthpieces. - 120 € (.066") - Selmer C* S80 Easy playing. Much better than expected - 90 € |
|
| Tenor | (.080")
- Vintage Air Flow.
Very rare, oldest scroll pattern. Looks opened up, (no writing
on table, rails broader than normal). Plays well with a dark classic
tone. With non-original ligature and cap. - 80 € (.068") - Vintage Soloist Short Shank, "Soloist C*" on table. Original brass lig and cap. - Reserved (.073") - Vintage Soloist Long Shank, "Soloist C*" on table - 185 € (.078") - Vintage Soloist Style Long Shank, "E" on top - 120 € (.070") - Selmer C* S80 - 90 € (.060") - Vintage Metal Classic "Table B*" on table. Fluted body. Like new. - 225 € (.080") - Vintage Metal Classic "E" on top. Fluted body. Completely like new. Original lig and cap. - Price to be determined or make an offer |
|
| SML |
Alto |
(.078")
-
"R3" Probably
made by Riffault for SML - 30 € |
| SONDRAY |
Alto |
(.033")
"2" Very peculiar, short piece Hard Rubber with metal tip and
table. Original screw-on ligature and "deep-V" cap. Very small tip
opening. Make an offer. |
SR TECHNOLOGIES |
Alto | (.085") - "L85" Hard rubber copy of a NY USA Meyer.
Similar "punch", brighter sound. Very good player. - 160 € |
STEVE BROADUS
|
Alto | (.055") - "Perfected" S3 Scooped out side walls.
Thin beak. Chamber medium or large. -
45 € (.080") - "Designed for Martin" #3 Opened up to .080 by Ed Zentera - 70 € |
TONEKING |
Tenor | (.070") - Special "4" "Paint peeling" mouthpiece - 40 € |
VANDORENVandoren has a reputation for high and consistent quality of their mouthpieces. |
Soprano | (.070") - S.101 -
60 € |
| Alto | (None available) | |
| Tenor | (.100") - Jumbo Java T 75 Powerful paint peeler.
Useful for
Rock. - 65 € (.105") - V16 T7 NEW, Medium chamber. Copy of vintage Otto Link. Very good player - - 90 € (.095") - Metal V16 T55 Like new. Famous for good playing. Like a husky Link STM - 225 € |
|
| VITO Vito Pascucci was instrument repair man for Glenn Miller's band. After 2. WW he started importing saxophones and accessories to USA from France and later Japan and Taiwan. His saxophones have always been of very high quality despite being sold as low price student instruments. His mouthpieces are very good players and of a quality much higher than their price. |
Soprano | (.051") - "France"
"R3" Original box. Very good player with very thin rails. - 50 € |
| Alto | (.060") - Melodia "2V"Marked France One very faint
chip on right rail, but plays perfectly. - 30 € (.067") - Melodia "3V"Marked France. Like new - 35 € |
|
| Tenor | (.067") - Vito "France 3S" Like new - 40 € |
|
| WAGNER |
Tenor |
(.100")
-
Wagner 8. A German slimline mpc made from first
class hard rubber. Requires an
alto lig. This is maybe the loudest mouthpiece I have tried. Can take a
lot of air. Almost as bright as a Metalite and with a warmer sound.
Very long
low
roll-over baffle. Great fun to play. - 95 € |
| WELTKLANG |
Tenor |
(.070")
-
Weltklang
"180" Berg Larsen copy. Bullet chamber. - 65 € |
| WOLFE TAYNE Wolf Taninbaum was a CBS and NBC staff musician who also performed as a solo artist with orchestras such as Benny Goodman, Jimmy Dorsey and Les Brown under the stage name Wolfe Tayne. Striving for the perfect sound, he developed saxophone reeds (among them the first synthetic reeds in 1952) and mouthpieces. Some of his unique mouthpiece facings were applied to Otto Link blanks, which are the sought after ‘W.T.’ Otto Link models. He started the Wolfe Tayne company which produced mouthpieces. His first mouthpieces had the tip opening marked on the table. These are very desired pieces of high quality, easy playing and with a full sound. Later, the tip opening was stamped to the right of the table, like on Florida Links. The last had the tip opening on the shank. Wolf Tayne sold the company to Babbitt and later he founded the Bari company. |
||
| Alto | (.075) - Wolfe Tayne "5"on table. Chrome plated with unoriginal lig and (?) cap. This metal mouthpiece has a much warmer and softer sound than modern hard rubber mouthpieces like Meyer, Vandoren. It is similar in sound and playability to the Early Babbitt HR Otto Link. - 100 € | |
| Tenor | (.081") - Wolfe
Tayne
"5"on
table. Chrome plated metal without lig and cap. This
mouthpiece is easy to play and has a full, dark sound. - 120 € (.100") - Wolfe Tayne "7*" to the right of the table. Like the metal pieces, easy to play. Warm sound with a fat bottom. - 100 € |
|
WOODWIND Company
|
Alto |
(.067") - "Sparkle Air" "B6" - 80 € |
| WILL GRIZZLE Famous sax tech from Atlanta, Georgia. He refaces for David Sanborn. Has made very few mouthpieces, so this is an absolute rarity. |
Tenor |
(None
available
at
present) |
YANAGISAWALike Vandoren, Yanagisawa has a reputation for high and consistent quality of their mouthpieces. |
Soprano | (None available at present) |
| Alto | (.090") - #8 Like new. Very well playing mouthpiece
with a full-bodied sound. - 95 € |